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Devil's Den - Gettysburg
July 2nd, 1863- 4:30 pm--
As we view the scene before us, we are standing near the bank of Plum Run Creek,
which is behind us and looking north-northwest at the Devil’s Den. We see an
officer urging on the men of the 17th Georgia. They are contending with infantry
fire from the front (the crest of Little Round Top) and left flanks (Houck’s
Ridge, where the 99th Pennsylvania has wheeled to there left rear and is raining
down heavy fire on the Rebs), as well as canister fire from a two-gun section of
Captain James Smith’s 4th New York Light Artillery. The 17th Georgia, from
Benning’s Brigade, Hood’s Division, were in the second wave of Confederate
troops to sweep through the “Slaughter Pen,” the boulder-strewn gorge through
which Plum Run Creek flows, just to the south of the Den. Along with the 2nd
Georgia, they had attempted to reinforce and bolster the attack of the 44th and
48th Alabama of Law’s Brigade, which has now stalled completely. The dead
Yankees in the painting belong to the 4th Maine, which was pushed out of Devil’s
Den by the 44th Alabama earlier in the fight. The surviving men of the 4th Maine
now huddle several tens of yards in the rear of the Georgians. The green-coated
captain in the right foreground is from the 2nd U. S. Sharpshooters, one of two
regiments of crack shots raised by Colonel Hiram Berdan in 1861. They were
deployed as skirmishers this day, before Hood’s division began its assault and
part of the regiment has retreated through Devil’s Den.In the end, the seven
Union regiments which had held relatively strong positions in and around the
Devil’s Den were confronted with overwhelming odds and forced to retreat.
Fortunately for the Union, Devil’s Den was no longer the left flank of the army.
Yankee forces atop Little Round Top had already repelled several Confederate
charges and reinforcements were on the way.
Devil's Den - Gettysburg by Bradley Schmehl
20" by 30" Scroll
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Canvas - Signed & Numbered
Edition: 250 18" x 24"
$350.00
Conservation Framing
Each double mat may vary
from print to print according to which frame you choose. If you
would like to
have a particular color of mat just call 1-302-875-2258 to place
your order. The best matching color is used for
each individual print and is not always the color shown here.
Each
print is framed using Conservation Acid Free & Lignin Free,
Alkaline pH buffered mat board & backing.
We use non glare glass, You may call us to request regular glass if you like, Other styles of glass are available. In conservation framing, We use
only Museum Quality materials and procedures
that will have no adverse
effects on a piece of artwork and will protect the artwork from
external damage.