In Spring Pink by Collin Bogle ( Black-capped Chickadee )

Watson's Wildlife Art Gallery, Laurel Delaware 1-888-723-9217
Home Page Check Out  Win a Print Contact Us Affiliate Program View Cart

 

 

 

 


In Spring Pink

In Spring Pink by Collin Bogle

In Spring Pink
by Collin Bogle
12" by 12"
 In Spring Pink by Artist Collin BogleScroll down to buy it framed In Spring Pink by Artist Collin Bogle

Limited Edition of 350, Hand Signed & Numbered
Rag Paper
Limited edition giclees are printed on acid free, pH-neutral, 100% rag paper using archival inks. Giclées use digital technology to enhance and preserve the character of the artist's original. The printing is done with costly pigment based archival inks printed on museum quality canvas or rag paper. The result is an image that rivals the beauty of the original. Giclées are found in most major art museums and fine art galleries, validating this new form of art.
$80.00

In Spring Pink by Collin Bogle
APPROX OUTSIDE FRAME SIZE 22" by 22"

Framed in Walnut Frame with Gold Lip
$219.00

In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   In Spring Pink by Collin BogleIn Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle

The Black-capped Chickadee, Poecile atricapilla, is a small songbird, a passerine bird in the tit family Paridae. Often, it is still placed in the genus Parus with most other tits, but mtDNA cytochrome 's'b" sequence data and morphology suggest that separating Poecile more adequately expresses these birds' relationships (Gill et al., 2005). The American Ornithologists' Union has been treating Poecile as distinct genus for some time already. Adults have a black cap and bib with white sides to the face. Their underparts are white with rusty brown on the flanks; their back is grey. They have a short dark bill, short wings and a long tail. Their breeding habitat is mixed or deciduous woods in Canada, Alaska and the northern United States. They nest in a hole in a tree; the pair excavates the nest, using a natural cavity or sometimes an old woodpecker nest. They may interbreed with Carolina Chickadees or Mountain Chickadees where their ranges overlap. The Black-capped and Carolina chicadees are virtually impossible to tell apart visually, but they are readily distinguished by call. Their point of overlap is near New Brunswick, New Jersey. Black-capped Chickadee on spruce treeThey are permanent residents, but sometimes move south within their range in winter. On cold winter nights, these birds reduce their body temperature by up to 10-12 °C to conserve energy. These birds hop along tree branches searching for food, sometimes hanging upside down or hovering; they may make short flights to catch insects in the air. Insects form a large part of their diet, especially in summer; seeds and berries become important in winter. They sometimes hammer seeds on a tree or shrub to open them; they also will store seeds for later use. Black-capped Chickadees are known to remember the position of hundreds or more of their food caches for up to a month[citation needed]. During the fall migration and winter, chickadees often flock together. Many other species of birds, including titmice, nuthatches, and warblers can often be found foraging in these flocks. Mixed flocks stay together because the chickadees call out whenever they find a good source of food. This calling out forms cohesion for the group, allowing the other birds to find food more efficiently. When flocking, Black-capped Chickadees soon establish a rigid social hierarchy. The vocalizations of Black-capped chickadees are highly complex (Ficken et al., 1978). 13 distinct types of vocalizations have been classified, many of which are complex and can communicate different types of information. Chickadees' complex vocalizations are likely an evolutionary adaptation to their habitat: they live and feed in dense vegetation, and even when the flock is close together, individual birds tend to be out of each others' visual range. Black-capped Chickadee, Iona Beach Regional ParkThe song of the Black-capped is a simple, clear whistle of two notes, identical in rhythm, the first roughly a whole-step below the second. This is distinguished from the Carolina chickadee's four-note call fee-bee fee-bay; the lower notes are nearly identical but the higher fee notes are omitted, making the Black-capped song like bee bay. The males only sing the song when in relative isolation from other chickadees (including their mates). In late summer, some young birds will sing only a single note. Both sexes sometimes make a faint version of the song, and this appears to be used when feeding young. The most familiar call is the familiar chick-a-dee-dee-dee which gave this bird its name. This simple-sounding call is astonishingly complex. It has been observed to consist of up to four distinct units which can be arranged in different patterns to communicate information about threats from predators and coordination of group movement. Recent study of the call shows that the number of dees indicates the level of threat from nearby predators. An analysis of over 5,000 alarm calls from chickadees, it was found that alarm calls triggered by small, dangerous raptors had a shorter interval between chick and dee and tended to have extra dees, usually averaging four instead of two. In one case, a warning call about a pygmy owl, a prime threat to chickadees, contained 23 dees (Templeton et al., 2005). The Carolina Chickadee makes a similar call which is faster and higher-pitched. There are a number of other calls and sounds that these Chickadees make, such as a gargle noise which is usually used by males to indicate a threat of attacking another male, often when feeding. This call is also used in sexual contexts. This noise is among the most complex of the calls, containing 2-9 of 14 distinct notes in one population that was studied.
For more info visit Wikipedia, the free encyclopedia,
©Wikipedia.com


In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   Conservation FramingIn Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle   In Spring Pink by Collin Bogle
Each double mat may vary from print to print according to which frame you choose. If you would like to
have a particular color of mat just email sales@watsonswildlife.com to place your order. The best matching color is used for
each individual print and is not always the color shown here.

Each print is framed using Conservation Acid Free & Lignin Free, Alkaline pH buffered matboard & backing.
We use non glare glass, You may call us to request regular glass if you like, Other styles of glass are available.

In conservation framing, We use only Museum Quality materials and procedures that will have no adverse
effects on a piece of artwork and will protect the artwork from external damage.


Home Page Check Out  Win a Print Contact Us Affiliate Program View Cart

Internet Prices & Availability
Because the art market is constantly in a state of instability, with new releases coming out and other ones selling out,  We will try to this site as up to date as  possible on  price changes and when art sells out. Prices and availability of artwork do change overnight sometimes and very unexpectedly, so there is no way to guarantee that the piece you ordered on our web site is available. We will always contact you and refund you immediately if there is a problem. There is a 20% Restocking Fee.

Celebrating 43 Years in Business



All materials Copyright © 1967-2009 Watson's Wildlife Art Gallery,Inc, Artwork appearing on this page may not be reproduced in whole or in part without the express written consent of Watson's Wildlife Art Gallery or its clients. All original artworks are credited and copyrighted separately.